Search:
Add To Your Favorites

Video Tags

Gaming Terms
Insurance Terms
Investment Terms
Legal Terms
Lending Terms
Mathematical Terms
Medical Terms
Real Estate Terms
Chatting Terms
Social Networking Terms
Vocabulary Terms
English Grammar Terms


Sponsored By


<

Welcome to MoreTerms.com

By visting us today you will find the latest MoreTerms.com videos to not only entertain you but inform you as well. Just click below to watch a video, or choose a category from the Video Links to the left to see a different set of videos.


Please VOTE for this page at:
ADD TO DEL.ICIO.US | ADD TO DIGG | ADD TO FURL | ADD TO NEWSVINE | ADD TO NETSCAPE | ADD TO REDDIT | ADD TO STUMBLEUPON | ADD TO TECHNORATI FAVORITES | ADD TO SQUIDOO | ADD TO YAHOO MYWEB |


Jesus Christus Unser Heiland

http://www.moreterms.com
http://www.moreterms.com http://www.moreterms.com
http://www.moreterms.com

Go to http://www.musanim.com/watch/ for more about this movie and others. Info for this video Bach organ music, accompanied by a scrolling bar-graph score Note: If you have trouble with sync or audio quality, go to www.vimeo.com/user=musanim/clips and download the original (m4v) version.

Channel: Film & Animation
Uploaded: November 30, 1999 at 12:00 am
Author: smalin

Length: 03:43
Rating: 4.59
Views: 17790

Tags: animation  bach  music  organ  score  

Video Url:


Embed Code:

Video Comments

capekurtz (November 30, 1999 at 12:00 am)
Was interested to get your comments. First let me say that I was introduced to Bach's organ music by LP recordings of Helmut Walcha and so I tend to judge other performances against his interpretations. One of the aspects I like best about Walcha's playing of the chorale preludes is that he never lets the cantus firmus dominate the ornamentation. Some performers "blast out" the cantus firmus so the ornamentation is lost. As an example, Walcha's playing of the Orgelbuchlein is a delight.
smalin (November 30, 1999 at 12:00 am)
I just listened to Walcha's early (5'14") performance, and didn't like it as much as I expected to; it seemed inexpressive, mechanical (this wasn't related to the tempo, though; it seemed fine, in spite of being incredibly slow). I liked some aspects of his registration, and especially the way the transition between the 3rd and 4th sections works. But I'll have to listen to it a few more times before I'm used to the sound of the reed on the pedal; it still strikes me as somewhat comical ...
smalin (November 30, 1999 at 12:00 am)
I expect I would agree with you. My tempo is ca. mm=60; Adalbertt's version at mm=50 is enough to show how much "bigger" the piece can be if given the time. Walcha's 5'13" version would be ca. mm=40 ... wow, that's slow. I originally performed the version here with a sampled pedal harpsichord sound, when I was 37. I'm now 55, and I'm sure I would play it slower today. Maybe in a few more years, with a real organ (a bigger one!) in a place with lots of reverb, I'll be in Walcha's universe.
capekurtz (November 30, 1999 at 12:00 am)
I do not know who is playing in the Adalbertt version but it is not Helmut Walcha. I was referring to the recordings made in 1950 and 1952 by Helmut Walcha for the German company Archiv Produktion at which time this version of Jesus Christus Unser Heiland (BWV665) was played at 5'13". (In 1971 Walcha did a re-recording at 4'45").
smalin (November 30, 1999 at 12:00 am)
Is that who's playing in the version posted on YouTube by Adalbertt (v=LfEnd62zy9U)?
capekurtz (November 30, 1999 at 12:00 am)
I find the impact of this interpretation diminished by its fast pace. Compare the slower interpretation by Helmut Walcha.
suddenly2 (November 30, 1999 at 12:00 am)
smalin could you do some christmas songs PLEASE?????!!!!!
h3115r3p3ntanc3 (November 30, 1999 at 12:00 am)
you don't need to be smart to be amazing.
Turanga1i1a (November 30, 1999 at 12:00 am)
Nice graphics chart to this piece. I never heard of any piano recording of Busoni's transcription of this.
dsfatman (November 30, 1999 at 12:00 am)
a very intelligent man can play this!


MoreTerms.com Site Designed by Mick Owen  © 2008 All Rights Reserved.